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the meaning of these books is changed - it's a whole new type of editing
this quite astonishing feathery scalpel work by scottish artist georgia russell
works by "book-sculptor" nicholas jones, who both folds (the land i love) and carves.
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poet joe de iacovo writes of jones' practice in an essay called, the drag of the blade,
the covers, the pages, the spine- the memory's image of a book temporarily hijacking each sculpture...
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integrating the layers constituting each mass. art colluding with identity reframing via lines of smooth, collective cuts.
jazz musician danny fisher has also responded to jones' work - you can listen to it on the craftculture site - everyone's a critic!
there is paper cutting everywhere.
and her fairy tale castle which would have made me wriggle in ecstasy as a child.
it reminds me that i grew up with polish cut-out folk art - wycinanki.
intricate, sometimes multi-layered designs. abstract, illustrative, both.
my mum would occasionally get to work with scissors and create something extraordinary. but she was only ever a dilettante. in grade 5 or 6, my sister took a different approach to the folk tradition, creating folk scenes, harvesting crops or village scenes, crafting the figures from pages of my mum's magazines. she did some incredible work.
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this one's for you k, between the folds, a documentary on the science and art of origami
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addendum: a link my sister sent me the other day, the magic of a toilet roll forest
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Photograph: Mark/EPA
oooooo lovely, will it come to Melb do you think? Thanks Shmonsta!
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